WELCOME SOIREES PERSPECTIVES LINKS
 
Angelo Mammano
Angelo Mammano

At the age of nine, I began studying piano. In one of the early piano books I was assigned there was a piece called Habanera from the opera Carmen. Immediately the thought of the combination of music and drama appealed to me.

In 1950 at the age of 13, I watched the opening night of the Metropolitan Opera season on television. It was Rudolf Bing's first season as general manager and I felt that it was an omen. Mr. Bing's beginning at the Met was my beginning to the world of opera. Finally in 1952

I actually attended an opera for the first time. Carmen it was again, this time at the Boston Opera House. The Metropolitan was on its annual spring tour and the Wednesday matinee had in the balcony a group of high school kids eager to experience the Bizet score performed by one of the world's great opera companies. We were not disappointed, not with Rise Stevens in the cast.

Since then music has been of the utmost importance in my life. I have studied opera at Boston University. I have worked with opera groups in Boston and Cambridge. I have for many years been a ballet accompanist for Boston Ballet.

I have written articles for the New England Opera Club and the Boston Wagner Society. I have given programs on singers and composers for the NEOC. My in-home classes - Opera Soirees, which began in 2002, are only the latest manifestations of my willingness and ability to share my knowledge and enthusiasm for opera with others.

OPERA SOIREES

with ANGELO MAMMANO

Enjoying opera in a casual atmosphere

 

You are Invited...

Participants are drawn to Opera Soirees by the attention to both musical and dramatic values in my programs. There is always a preliminary introduction, in which they learn about the creation of the work being discussed, the early history of the opera, contemporary criticism and audience reactions. Then video and audio are used extensively.

The selections cover all the major arias and ensembles. By the time the program ends, generally at 10 P.M., the auditors feel that they have a good understanding and appreciation of the opera of the evening.

The exhilaration they feel is so palpable that sometimes it is difficult for them to leave. They find that the companionship of other aficionados and the love of the art are what makes them want to come back again and again.

Over the years I have amassed a very large collection of pertinent materials, including biographies of important operatic personalities, piano-vocal and orchestral scores and libretti. My recordings encompass lp's, audio tapes, CD's, VHS tapes and DVD's. Many of these items are rare and difficult to obtain today. I have been told that my collection would do credit to a college library. Maybe it is so.

 
Guests

Participants Enjoy an Opera Video

 

Tuition, you ask?

Incredibly affordable. For all thirty evenings of opera, the cost to you is only $240.

If your schedule is such that you can attend only sporadically, then come as infreqently as you choose- at $10 per class. Any questions? Please contact me at: www.operangelo@comcast.net or telephone (617) 782-4501

For complete information call (617) 782-4501 or

Send Angelo an e-mail at: :operangelo@comcast.net

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